In June 1950, soon after the start of the Korean War, a troop of North Korean soldiers enter a small South Korean village. Captain Jeong-woong proclaims that they came to liberate the villagers but their true agenda is to ferret out the reactionaries. The villagers and Seol-hee, who is separated from her fiance on her wedding day, offer them heartfelt hospitality and cooperation to avoid falling out of the army's favor. Eventually friendships starts to build up between the soldiers and the villagers.

Ken Katakura (Naoto Takenaka) has worked as a salaryman for the past 25 years. He's on his way to Malaysia to stop his daughter's wedding. Unfortunately for Ken, the plane makes an emergency landing in a remote part of Malaysia, far from the capital city of Kuala Lumpur where he needs to go. With only 2 days left until his daughter marries, Ken looks for a way to get to Kuala Lumpur. Ken then comes across an odd Chinese truck driver named "Mary" and, with his help, sets out for Kuala Lumpur.

When a fearsome and ancient species emerges from the ocean, dramatically revealing themselves to humanity, an international crisis is triggered. With the entire population at risk, UNIT step into action as the land and sea wage war.

A Los Angeles tollbooth clerk becomes obsessed with the Holocaust after meeting a survivor.

At a local village in bulletproof Ban Phaeo District Samutsakorn glass young people who pursue a career as a pastry sugar trade. Every afternoon she likes mingling in the tuberose bed. But one modern day, Dok Kaew met Thep Tai, a young doctor who came out of the established camp to eagerly volunteer to heal local people in the historic Phaeo neighborhood by excellent chance. Fate led the two of them to have the same love from the event that Dok Kaew was infatuated with Thep Tai. Help relationship thousand Chiat well formed quiet Mrs. Fulham drunkard addicted to gambling and the mother of glass have taken her from Banpaew to take my daughter to work or give things in exchange for economic interest and stuffed stretches to glass is mare Royal Exposition ministry officials. Rich rich man in Bangkok Dok Kaew reluctantly suffers and comes to Ban Nopparat as Khun Luang's 3rd married wife.

The Third Memory, 2000. Two-channel video projection, with sound, 9 min., 32 sec.; single-channel video with sound, 22 min., 30 sec.; and thirteen inkjet prints, edition 2/4, dimensions variable. 　　Using time, memory, and the texture of everyday experience as his mediums, Pierre Huyghe conflates the traditional dichotomy between art and life. Working in an array of cultural formats—from billboards and television broadcasts to community celebrations and museum exhibitions—he reformulates their codes and deploys them as catalysts for creating new experiential possibilities. A mode of perception that lies in the interstices between reality and its representation is the subject of his two-channel video, The Third Memory (2000), which reenacts the 1972 hold-up of a Brooklyn bank immortalized in Sidney Lumet’s acclaimed film Dog Day Afternoon (1975). Almost 30 years later, Huyghe provides a platform for the heist’s charismatic mastermind, John Wojtowicz, to relate his version of that infamous day in a reconstructed set of the bank. However, rather than clarify the personal history that Hollywood wrested from him, Wojtowicz appears to have been heavily influenced by the film, a testament to the inextricable merging of real events, the distortions of memory, and the mediating power of popular culture.

Tae-su, a detective fighting organized crime, returns to his hometown for his high school friend Wang-jae's funeral. There, he meets his old friends Pil-ho, Dong-hwan and Seok-hwan and they reminisce. Suspecting something fishy about Wang-jae's death, Tae-su and Seok-hwan start investigating it, each in his own way. Their investigations lead to a land development project that Pil-ho is directing.

暂无英文版的简介，请添加内容帮助我们完善数据库。

Jack Frost's playboy lifestyle in New York City is rocked by the news that his childhood love is engaged. Amidst his friendships with Scotch Evans, a ribald nightlife correspondent; Ozzy, a troubled but loving heroin addict; and Kate Hardwick, a bewitching, quick-witted reporter, Jack sinks deeper into depression. Haunted by lost-love and his mother's suicide, Jack plunges into whiskey and self-destruction . . . until his eleven-year-old neighbor, Sophie, an unlikely mother figure, leads Jack back into himself, and out of the nostalgia and excess that consumed him.

Film critic J. Hoberman discusses the best-selling 1962 novel by Eugene Burdick and Harvey Wheeler on which "Fail-Safe" is based, along with the pervasiveness of nuclear paranoia in films of the sixties.